THE AESTHETIC AND PHILOSOPHICAL ESSENCE OF UZBEK FOLK MUSICAL INSTRUMENTS

Authors

  • Mamatqulova Mahfuza Abdulhamidovna Lecturer at Gulistan State University

Keywords:

Uzbek folk instruments, musical culture, aesthetic thinking, philosophical essence, cultural archetype, national heritage, rhythmic system, performance art, reconstruction, Shashmaqom, dutor, gijjak, doira, pedagogical significance, cultural value.

Abstract

This article provides a scholarly analysis of the historical development of Uzbek folk musical instruments, their aesthetic and philosophical essence, and their role in the formation of national musical thinking. It examines the functional significance of folk instruments in social and cultural life, their influence on human spirituality, moral worldview, and aesthetic perception. The article also explores the reconstruction processes of Uzbek folk instruments, their position in modern performance and music education, and their cultural importance as national values. Ultimately, folk instruments are interpreted as artistic symbols and archetypes of Uzbek aesthetic consciousness and musical culture.

References

Abdurashidov, A. Traditional Musical Instruments of Uzbekistan. Tashkent: Gafur Ghulam Publishing House, 2015.

Karomatov, F. The History and Development of Uzbek Folk Music. Tashkent: Fan, 1982.

Rajabiy, Y. Maqomlar. Vol. 1–6. Tashkent: Gafur Ghulam Publishing House, 1959–1975.

Komilov, N. The Spiritual Foundations of Uzbek Musical Culture. Tashkent: Ma’naviyat, 1996.

Toshmatov, U. The Philosophy of Eastern Musical Thinking. Samarkand State University Press, 2010.

Petrosyans, A. I. Uzbek Folk Musical Instruments and Their Reconstruction. Moscow: Soviet Music Publishing, 1978.

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Published

2025-10-31

How to Cite

Mamatqulova Mahfuza Abdulhamidovna. (2025). THE AESTHETIC AND PHILOSOPHICAL ESSENCE OF UZBEK FOLK MUSICAL INSTRUMENTS. Ethiopian International Multidisciplinary Research Conferences, 712–714. Retrieved from https://eijmr.org/conferences/index.php/eimrc/article/view/1604

Issue

2025: Ethiopian International Multidisciplinary Research Conferences

Section

Articles

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