AESTHETIC-PHILOSOPHICAL ESSENCE OF UZBEKISTAN FOLK INSTRUMENTS

Authors

  • Mamatqulov Oybek Abdulhamidovich Teacher of the Faculty of Art History, Gulistan State University

Keywords:

Uzbek folk instruments, musical culture, aesthetic thinking, philosophical essence, cultural archetype, national heritage, rhythmic system, performance art, reconstruction, Shashmaqom, dutor, gijjak, doira, pedagogical significance, cultural value

Abstract

This article provides a scholarly analysis of the historical development of Uzbek folk musical instruments, their aesthetic and philosophical essence, and their role in the formation of national musical thinking. It examines the functional significance of folk instruments in social and cultural life, their influence on human spirituality, moral worldview, and aesthetic perception. The article also explores the reconstruction processes of Uzbek folk instruments, their position in modern performance and music education, and their cultural importance as national values. Ultimately, folk instruments are interpreted as artistic symbols and archetypes of Uzbek aesthetic consciousness and musical culture.

References

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Komilov, N. Philosophy of music and thought. — Tashkent: Ma’naviyat, 2012.

Is’hoqov, F. Uzbek folk instruments and performing traditions. — Tashkent: Uzbekistan

National encyclopedia, 2015.

Ochildiyev, A. Aesthetics and philosophy of oriental music. — Tashkent: Yangi asr avlod, 2010.

Yunusov, R. Foundations of music pedagogy. — Tashkent: O’qituvti, 2018.

Turgunov, B. The art of maqom: history, theory and practice. — Tashkent: Fan, 2016.

Saidov, H. Philosophical roots of musical heritage in Uzbek culture. — Tashkent: Ma’naviyat, 2020.

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Published

2025-10-31

How to Cite

Mamatqulov Oybek Abdulhamidovich. (2025). AESTHETIC-PHILOSOPHICAL ESSENCE OF UZBEKISTAN FOLK INSTRUMENTS. Ethiopian International Multidisciplinary Research Conferences, 708–711. Retrieved from https://eijmr.org/conferences/index.php/eimrc/article/view/1603