HISTORICAL AND THEORETICAL FOUNDATIONS OF THE ART OF DOIRA PERFORMANCE

Muzaffar Esanov

Authors

Muzaffar Esanov Teacher at the Department of Folklore and Ethnography, Nukus Branch of the Uzbekistan State Institute of Arts and Culture

Keywords:

doira, membranophone, acoustics, usul, rhythm, biomechanics, maqom, strike, resonance.

Abstract

This article analyzes the scientific and practical aspects of doira performance, the basis of Uzbek and Karakalpak national instrumental art. The study highlights the acoustic characteristics of doira strikes, the mathematical structure of maqom rhythmic patterns (usuls), and the biomechanics of finger techniques based on authentic sources.

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