THE "SENSITIVE HEROINE" PHENOMENON: WHY TEARS BECAME WOMAN’S MAIN WEAPON IN SENTIMENTALIST LITERATURE

Authors

  • Murodxodjayeva Malika Alisher kizi Teacher, The University of Economics and Pedagogy Russian Language Department, Uzbekistan

Keywords:

Sentimentalism, 18th-century literature, sensibility,

Abstract

This article explores the depiction of female characters in 18th-century Sentimentalism. The author analyzes the evolution of the artistic ideal—shifting from the Classicist "heroine of duty" to the Sentimentalist "heroine of feeling." Particular attention is paid to the motif of tears as a semiotic sign, which underwent a re-evaluation during the Enlightenment: transforming from a symbol of weakness into an expression of moral superiority and a tool for psychological influence.

References

Bakhtin, M. M. Questions of Literature and Aesthetics.

Karamzin, N. M. Poor Liza.

Richardson, S. Pamela; or, Virtue Rewarded.

Lotman, Yu. M. Conversations on Russian Culture: Daily Life and Traditions of the Russian Nobility (18th – early 19th century).

Mullan, John. Sentiment and Sociability: The Language of Feeling in the Eighteenth Century. — Oxford University Press, 1988.

Kochetkova, N. D. Literature of Russian Sentimentalism (Aesthetic Aspects). — Saint Petersburg: Nauka, 1994. (The most authoritative study on the aesthetics of Russian Sentimentalism).

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Published

2026-02-16

How to Cite

Murodxodjayeva Malika Alisher kizi. (2026). THE "SENSITIVE HEROINE" PHENOMENON: WHY TEARS BECAME WOMAN’S MAIN WEAPON IN SENTIMENTALIST LITERATURE. Ethiopian International Journal of Multidisciplinary Research, 13(2), 957–959. Retrieved from https://eijmr.org/index.php/eijmr/article/view/5189