THE IMAGE SYSTEM OF F. M. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” AS A REFLECTION OF THE WRITER’S EXISTENTIAL PHILOSOPHY

Rodina Irina Vitalyevna

THE IMAGE SYSTEM OF F. M. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” AS A REFLECTION OF THE WRITER’S EXISTENTIAL PHILOSOPHY

Authors

Rodina Irina Vitalyevna Senior Lecturer, UzSWLU Tashkent, Uzbekistan

Keywords:

philosophy of guilt, crime, moral choice, suffering, the subconscious.

Abstract

The article examines how the existential philosophies of Karl Jaspers and Jean-Paul Sartre are reflected in F. M. Dostoevsky’s novel Crime and Punishment. The approach to this problem is multi-layered and seeks to illuminate the essence of guilt, freedom, and moral choice through the novel’s system of images.

References

Dostoevsky, F. M. Crime and Punishment. Moscow: Politicheskaya literatura.

Davydov, Yu. The Ethics of Love and the Metaphysics of Self-Will. Moscow: Molodaya gvardiya, 1989, p. 149.

Jaspers, K. The Question of Guilt (Die Schuldfrage). Zurich, 1946, p. 14.

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Published

2025-10-10

How to Cite

Rodina Irina Vitalyevna. (2025). THE IMAGE SYSTEM OF F. M. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” AS A REFLECTION OF THE WRITER’S EXISTENTIAL PHILOSOPHY. Ethiopian International Journal of Multidisciplinary Research, 12(10), 174–176. Retrieved from https://eijmr.org/index.php/eijmr/article/view/3672