THE FUNCTION OF ARTISTIC DETAIL IN I. BUNIN'S STORY "IN PARIS"
Keywords:
portrait, story, detail, depicted world, motif, symbol.Abstract
The article is devoted to the analysis of one detail (overcoat) in the story by I.A. Bunin "In Paris", which is part of the writer's cycle of stories "Dark Alleys". Particular importance is given to the semantic content of the analyzed detail as a way of additional understanding of the ideological and artistic sound of the story. Also, characteristic features of the detail "overcoat" in the system of the depicted world of the work of I.A. Bunin are noted.
References
Bunin I. A. Collected Works: In 9 volumes. Vol. 7. – Moscow: Fiction, 2006. – Pp. 49–54. The text of Bunin’s story “In Paris” is given according to this edition; the boundaries of the cited sections are not indicated in the article.
Introduction to Literary Criticism. Textbook for Universities. – 2nd ed., corrected. / under the general editorship. L. M. Krupchanova. – M.: Onyx, 2007. – 415, [1] p.
Glinka V.M. Russian military costume of the 18th – early 20th centuries. Album. – L.: Artist of the RFSR, 1988. – 227 p.
Shimansky G.I. Liturgics. Textbook for theological seminaries. – M.: Moscow Theological Academy, 2006. – 297 p.
