ART OF MACHINATION AND TRAGEDY: TRACING THE MACHIAVELLIAN AND SHAKESPEAREAN INFLUENCES IN JOHN WEBSTER'S 'THE DUCHESS OF MALFI

Abstract

This study delves into the intricate interplay between Machiavellian and Shakespearean influences in John Webster's renowned play 'The Duchess of Malfi'. Drawing from the political theories of Machiavelli and the dramatic techniques of Shakespeare, this research aims to trace how these influences converge and diverge in shaping the characters, themes, and overall narrative of the play. Through a comprehensive analysis of the text, this study unravels the complexities of manipulation, power dynamics, and tragic consequences, highlighting the fusion of Renaissance political thought and theatrical artistry. The findings contribute to a deeper understanding of the play's cultural and literary significance, offering insights into the ways in which historical and literary influences intersect in shaping dramatic masterpieces.