THE USE OF METAPHOR AND IRONY IN UZBEK PROSE

Abstract

Metaphor and irony are fundamental stylistic devices in Uzbek prose, serving as conduits for profound expression and cultural reflection. Metaphors in Uzbek literature often transcend mere decorative language; they encapsulate complex worldviews and emotional landscapes. For instance, Ikrom Atamurod's portrayal of the world as "an ancient narrator" exemplifies how metaphors can transform ordinary elements into profound symbols, offering readers a deeper understanding of the narrative's themes. Similarly, Asaloy Kurbanova's comparative analysis of English and Uzbek short stories reveals that metaphors in both traditions serve to encapsulate complex worldviews and emotional states, though they are often culturally specific in their expressions. Irony, on the other hand, functions as a subtle critique of societal norms and individual behaviors. Mavlonova Ugiloy Khamdamovna's research highlights lexical stylistic irony as a decorative element in speech, noting its prevalence in both English and Uzbek literary traditions. In the realm of satire, irony serves as a powerful tool for social commentary. The works of authors like Abdulla Qahhor and Erkin Vohidov employ irony to expose the contradictions and absurdities within society, prompting readers to reflect critically on their surroundings. This paper delves into the roles, functions, and cultural significance of metaphor and irony in Uzbek prose, offering a comparative perspective with English literature to highlight unique features and shared patterns.