P. I. TCHAIKOVSKY AS AN OPERA REFORMER
Abstract
This article analyzes in detail Pyotr Ilyich Tchaikovsky’s reformatory role in the opera genre. It examines the innovative features of his operas: psychological drama, the synthesis of music and stage action, lyrical expressiveness, and the organic use of national musical elements. Through a close study of Eugene Onegin, The Queen of Spades, and Iolanta, the paper demonstrates how the composer transformed both Russian and world opera into a profound psychological art capable of revealing the inner world of the individual.
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