THE PHILOSOPHICAL AND AESTHETIC INTERPRETATION OF THE DOIRA ART IN THE UZBEK NATIONAL MUSICAL CULTURE

Authors

  • Abdulhamid Mamatqulov Teacher at Gulistan State University

Keywords:

doira, percussion instrument, rhythm, usul, Shashmaqom, Usta Olim Komilov, musical thinking, cultural archetype, rhythmic-semiotic system, national heritage, aesthetic value, performance school, ritual culture, philosophical dynamism, pedagogical tradition.

Abstract

This article explores the historical, philosophical, and aesthetic essence of the doira art, highlighting its role in the life, spiritual world, and musical thinking of the Uzbek people. It provides a scholarly analysis of the Usta Olim Komilov school, the stages of formation of doira rhythmic techniques, its rhythmic-semiotic system, functional significance within Shashmaqom, as well as its ritualistic and shamanistic origins. The article interprets the doira as a phenomenon of national culture.

References

THE EMERGENCE OF THE "CIRCLE" INSTRUMENT B. Tursunov "Oriental Art and Culture" Scientific-Methodical Journal - Volume 2 Issue 4 / December 2021

Mamatkulov, O., Mamatkulov, A., & Mamatkulova, M. (2022). INSTRUMENTAL PERFORMANCE IS AN IMPORTANT ASPECT TO CONSIDER IN THE LEARNING PROCESS. OBSERVATIONAL ANALYSIS OF CHILDREN AND STUDENTS OF CHILDREN'S MUSIC SCHOOLS.Eurasian journal of social science, philosophy and culture, 2(6), 113–115. izvlecheno ot https://in-academy.uz/index.php/ejsspc/article/view/2694

Tursunov B. Emergence of "Doira" instrument. Oriental Art and Culture scientific-methodical journal, 2021, No. 4, Volume 2.

Komilov, U. Uzbek folk instruments. Tashkent: G.Ghulom Publishing House of Literature and Art, 1981.

Isakhojayev R. School of Circle Performance. Tashkent: Publishing House of the Conservatory of the Republic of Uzbekistan, 2005.

Petrosyans A.I. Rhythm and Metro in the Music of the Peoples of Central Asia. Moscow: Muzyka, 1972.

Azimov G. Teaching Methods of Circle Art. Tashkent: San'at, 2012.

Nazarov A. Uzbek Maqoms and Their Rhythmic System. Tashkent: Fan, 1998.

Komilov, N. Philosophy of Music. Tashkent: Ma'naviyat, 2003.

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Published

2025-10-31

How to Cite

Abdulhamid Mamatqulov. (2025). THE PHILOSOPHICAL AND AESTHETIC INTERPRETATION OF THE DOIRA ART IN THE UZBEK NATIONAL MUSICAL CULTURE. Ethiopian International Multidisciplinary Research Conferences, 715–717. Retrieved from https://eijmr.org/conferences/index.php/eimrc/article/view/1605

Issue

2025: Ethiopian International Multidisciplinary Research Conferences

Section

Articles

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