THE POETICS IN THE NOVELS OF PAT CADIGAN

Authors

  • Komiljonova Zarnigor Umidjon qizi Uzbekistan State World Languages University Faculty of Foreign Language and Literature (English), Faculty No. 3 2nd-year Student

Keywords:

Pat Cadigan, poetics, cyberpunk, posthumanism, feminism, identity, hybridity, technology.

Abstract

This article examines the poetics in the novels of Pat Cadigan, focusing on how her experimental style, fragmented narrative structures, and metaphorical language reflect the collapse of boundaries between human and machine in cyberpunk fiction. Through close readings of Mindplayers, Synners, and Fools, the study highlights Cadigan’s engagement with subjectivity, embodiment, and technological mediation. It argues that Cadigan’s poetics not only anticipate contemporary debates about digital culture and identity but also resonate with feminist and posthuman theories of hybridity and cyborg existence.

References

Cadigan, P. (1987). Mindplayers. Bantam Spectra.

Cadigan, P. (1991). Synners. Bantam Spectra.

Cadigan, P. (1992). Fools. Bantam Spectra.

Haraway, D. (1991). A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Routledge.

Hayles, N. K. (1999). How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago Press.

Csicsery-Ronay, I. (2008). The Seven Beauties of Science Fiction. Wesleyan University Press.

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Published

2025-09-07

How to Cite

Komiljonova Zarnigor Umidjon qizi. (2025). THE POETICS IN THE NOVELS OF PAT CADIGAN. Ethiopian International Multidisciplinary Research Conferences, 55–57. Retrieved from https://eijmr.org/conferences/index.php/eimrc/article/view/1329