THE DEVELOPMENT OF DOIRA PERFORMANCE: THE SCHOOL OF MASTER USTA OLIM KOMILOV AND THE CONTINUITY OF GENERATIONS

Authors

  • Xaitkulov Muzaffar Sattarovich Gulistan State University, Faculty of Arts, Department of Traditional Vocal Performance and Folk Instruments, Lecturer

Keywords:

Doira performance, master–apprentice tradition, school of masters, beat, rhythm, master–apprentice practices, integrity of music education, children’s music and art schools, national instrument performance.

Abstract

 The article explores the historical development of doira performance, from its origins as a traditional ceremonial instrument to its status as a professional stage art. The social and aesthetic significance of the doira is analyzed within the framework of Eastern musical thought, particularly the ideas of Abu Nasr Muhammad Farabi. The legacy of Master Usta Olim Komilov and his disciples is recognized as a key factor in the formation of doira performance as an independent art form.

References

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Published

2026-02-26

How to Cite

Xaitkulov Muzaffar Sattarovich. (2026). THE DEVELOPMENT OF DOIRA PERFORMANCE: THE SCHOOL OF MASTER USTA OLIM KOMILOV AND THE CONTINUITY OF GENERATIONS. Ethiopian International Multidisciplinary Research Conferences, 2(1), 316–319. Retrieved from https://eijmr.org/conferences/index.php/eimrc/article/view/1987