ARTISTIC AND POETIC FUNCTIONS OF THE RETROSPECTIVE METHOD IN NOVELLAS

Abstract

This thesis examines the artistic and poetic functions of the retrospective method in novellas as an important narrative technique in modern prose. Retrospection is analyzed as a compositional and aesthetic device that enables authors to expand temporal boundaries, deepen psychological characterization, and enhance semantic richness within a compact narrative form. The study focuses on the role of retrospection in revealing characters’ inner worlds, structuring the plot, and creating emotional and symbolic layers through the interaction of past and present. Special attention is given to the subjective nature of retrospective narration and its connection with memory, perception, and narrative perspective. The findings demonstrate that the retrospective method performs multiple artistic and poetic functions, contributing to thematic coherence, narrative dynamism, and philosophical depth. The thesis concludes that retrospection remains a relevant and expressive narrative strategy in novellas, reflecting the complexity of human experience and the aesthetic potential of prose fiction.